Chapter note

If we view Domitian in the different lights in which he is represented, during his lifetime and after his decease, his character and conduct discover a greater diversity than is commonly observed in the objects of historical detail. But as posthumous character is always the most just, its decisive verdict affords the surest criterion by which this variegated emperor must be estimated by impartial posterity. According to this rule, it is beyond a doubt that his vices were more predominant than his virtues: and when we follow him into his closet, for some time after his accession, when he was thirty years of age, the frivolity of his daily employment, in the killing of flies, exhibits an instance of dissipation, which surpasses all that has been recorded of his imperial predecessors. The encouragement, however, which the first Vespasian had shown to literature, continued to operate during the present reign; and we behold the first fruits of its auspicious influence in the valuable treatise of QUINTILIAN.

Of the life of this celebrated writer, little is known upon any authority that has a title to much credit. We learn, however, that he was the son of a lawyer in the service of some of the preceding emperors, and was born at Rome, though in what consulship, or under what emperor, it is impossible to determine. He married a woman of a noble family, by whom he had two sons. The mother died in the flower of her age, and the sons, at the distance of some time from each other, when their father was advanced in years. The precise time of Quintilian's own death is equally inauthenticated with that of his birth; nor can we rely upon an author of suspicious veracity, who says that he passed the latter part of his life in a state of indigence, which was alleviated by the liberality of his pupil, Pliny the Younger. Quintilian opened a school of rhetoric at Rome, where he not only discharged that laborious employment with great applause during more than twenty years, but pleaded at the bar, and was the first who obtained a salary from the state, for executing the office of a public teacher. He was also appointed by Domitian preceptor to the two young princes who were intended to succeed him on the throne.

After his retirement from the situation of a teacher, Quintilian devoted his attention to the study of literature, and composed a treatise on the Causes of the Corruption of Eloquence. At the earnest solicitation of his friends, he was afterwards induced to undertake his Institutiones Oratoria, the most elaborate system of oratory extant in any language. This work is divided into twelve books, in which the author treats with great precision of the qualities of a perfect orator; explaining not only the fundamental principles of eloquence, as connected with the constitution of the human mind, but pointing out, both by argument and observation, the most successful method of exercising that admirable art, for the accomplishment of its purpose. So minutely, and upon so extensive a plan, has he prosecuted the subject, that he delineates the education suitable to a perfect orator, from the stage of infancy in the cradle, to the consummation of rhetorical fame, in the pursuits of the bar, or those, in general, of any public assembly. It is sufficient to say, that in the execution of this elaborate work, Quintilian has called to the assistance of his own acute and comprehensive understanding, the profound penetration of Aristotle, the exquisite graces of Cicero; all the stores of observation, experience, and practice; and in a word, the whole accumulated exertions of ancient genius on the subject of oratory. It may justly be regarded as an extraordinary circumstance in the progress of scientific improvement, that the endowments of a perfect orator were never fully exhibited to the world, until it had become dangerous to exercise them for the important purposes for which they were originally cultivated. And it is no less remarkable, that, under all the violence and caprice of imperial despotism which the Romans had now experienced, their sensibility to the enjoyment of poetical compositions remained still unabated; as if it served to console the nation for the irretrievable loss of public liberty. From this source of entertainment, they reaped more pleasure during the present reign, than they had done since the time of Augustus. The poets of this period were Juvenal, Statius, and Martial.